THE RELATIONSHIP OF MEANING IN THE MADURA SONG GROUP: A SEMANTIC STUDY ANALYSIS
DOI:
https://doi.org/10.26618/gd0vb641Keywords:
Lagu, Relasi Makna, SemantikAbstract
Song lyrics have an implied or unreal meaning so they require semantic analysis to understand them. Regional songs have a very close relationship with culture, this song is a form of representation of the traditions and customs of a region. Words that are framed in such a beautiful way do not only give aesthetic value, they form a very deep meaning, so to unravel them requires a semantic study of the relationship of meaning. Through semantic studies, wecan take regions that are rich in the meaning of diversity as a reference in community life. The lyrics of songs that are arranged using figurative language contain meanings that can provide a broader understanding, because in language the meanings of words are interconnected. The method in this study is qualitative descriptive with data in the form of words, phrases, and series of sentences or paragraphs that are analyzed using the theory of semantic analysis of Riemer meaning relations which includes antonyms, meronymy, hyponymic, and synonyms. This analysis model emphasizes the relationship of meaning between the lingual units of the language and the lingual units of other languages formed in the lyrics of a song, as well as how a writer or songwriter represents cultural values in the Madura regional song. This research not only contributes to the understanding of the semantic study of the relationship of meaning in a song lyrics, but can also motivate readers related to the social, moral, and religious values inherent in Madurese society. This research can also be a reference in preserving the cultural richness of works of art in the form of regional songs. The richness of meaning contained in Madura regional songs is one of the reasons for the importance of analyzing regional songs using semantic studies.
References
Amarya, N. Z., & Utami, S. (2023). Relationships of Meaning in Mahalini Raharja’s Album Song lyrics by Mahalini Raharja ). TOTOBUANG: Jurnal Ilmiah Kebahasaan Dan Kesusastraan, 11, 175–188.
Amiduddin. (2016). Semantik: Pengantar Studi Tentang Makna. Bandung: Sinar Baru Algensindo.
Creswell, J. W. (2012). Educational, Reserch, Planning, Conducting and Evaluating Quantitative and Qualitative Reserch. In Ney York: Pearson Education (Vol. 11, Issue 1).
Fitria, R. A., Safira, A. S., & Kurniawan, E. D. (2025). Analisis Relasi Makna Sinonimi dan Hiponimi dalam Lirik Lagu ’ Mama Papa Larang ’ Karya Judika Complex : Jurnal Multidisiplin Ilmu Nasional. 2, 75–78.
Heriana, I., Setiawati, R., Misda, S., & Mukhlis, M. (2021). Relasi Makna Antar Kalimat pada Berita Sindonews.com. Sajak: Jurnal Penelitian Dan Pengabdian Sastra, Bahasa, Dan Pendidikan, 1(3), 62–67. https://journal.uir.ac.id/index.php/sajak
Ibrahim. (2018). Metodologi Penelitian Kualitatif. Bandung: Alfabeta.
Iskandar, L. I. K., & Marwan, I. (2023). Relasi Makna Pada Lagu Karya Melly Goeslaw (Tinjauan Semantik). Narasi: Jurnal Kajian Bahasa, Sastra Indonesia, Dan Pengajarannya, 1(2), 243–253. https://doi.org/10.30762/narasi.v1i2.2190
Kambu, A., & Hatsama, A. (2020). Analisis Makna Polisemi dalam Bahasa Maybrat. Jurnal Keilmuan Bahasa, Sastra, Dan Pengajarannya, 1(1), 32–49.
Khoerunnisa, S., & Wahdah Humaira, H. (2022). Bentuk Relasi Makna Pada Kumpulan Cerita Pendek Kisah-Kisah Perdagangan Paling Gemilang. JALADRI : Jurnal Ilmiah Program Studi Bahasa Sunda, 8(2), 69–78. https://doi.org/10.33222/jaladri.v8i2.2016
Khoriyah, A. A. (2024). Analisis Relasi Makna Pada Lagu Sakura Karya Fariz RM. Inovasi Pendidikan Nusantara, 5(4), 200–207.
Moleong, L. J. (2016). Metodologi Penelitian Kualitatif. Bandung: PT Remaja Rosdakarya.
Pertiwi, D. H., & Nurjanah, N. (2023). Relasi Makna Antonimi dan Sinonimi dalam Cerpen Robohnya Surau Kami Karya A.A Navis. Jurnal Ilmiah Pendidikan Bahasa Dan Sastra Indonesia, 9(2), 23–32.
Riemer, N. (2010). Introducting semantics. In Cambridge University Press, New York (Vol. 11, Issue 1). Cambridge University Press, New York.
Sugiyono. (2017). Metodologi Penelitian: Kuantitatif, Kualitatfi, dan R&D. Bandung: Alfabeta.
Sumarlam. (2003). Teori dan Praktik Analisis Wacana. Surakarta: Pustaka Cakra.
Wijaya, H., & Wartini, L. S. (2019). Relasi Makna Dalam Lirik Lagu Perjuangan Nahdlatul Wathan Karya TGKH. M. Zainuddin Abdul Majid (Kajian Semantik). Sebasa: Jurnal Pendidikan Bahasa Dan Sastra Indonesia, 2, 1–23.
Downloads
Published
Issue
Section
License
Copyright (c) 2025 JURNAL KONFIKS

This work is licensed under a Creative Commons Attribution 4.0 International License.
Authors who publish with this journal agree to the following terms:
The author owns the copyright and grants the journal rights for first publication with the work simultaneously licensed under a Creative Commons Attribution License which allows others to share the work with acknowledgment of the work's authorship and initial publication in this journal.
Authors may enter into separate additional contractual agreements for the non-exclusive distribution of the published journal version of the work (for example, posting it to an institutional repository or publishing it in a book), with acknowledgment of its initial publication in this journal.
Authors are permitted and encouraged to post their work online (for example, in institutional repositories or on their websites) before and during the submission process, as this can lead to productive exchanges, as well as earlier and larger citations of published work (See The Effect of Open Access).
Statement of Authenticity and Manuscript Copyright can be downloaded: Here
After filling in the statement letter, please send via e-mail: konfiks@unismuh.ac.id