Harmoni: Jurnal Pendidikan dan Penelitian Seni Budaya
Harmoni: Journal of Educational Thought, Research in Arts, Culture and Teaching. Published by the Fine Arts Education Study Program, Faculty of Teacher Training and Education, Muhammadiyah University of Makassar. ISSN (Print): 2087-9865 and ISSN (Online): 3026-5002 Harmoni Journal invites submission: 1. Research co-authored by lecturers, students and community partners; 2. Studies originating from or informing campus-community partnerships; 3. Research on arts education, as well as arts, culture and teaching; 4. Articles related to developments in current issues, pure and applied science, as well as emerging challenges. Harmoni published scientific papers on the results of art research and culture (see Focus and Scope). Harmoni Journal aims to publish articles resulting from conceptual thinking and research in the fields of education and arts and culture that have never been published in other media. Script Writing Guidelines page (see Author Guidelines & Templates). Harmoni Journal is published regularly, twice a year: April and October. The journal registered in the CrossRef with Digital Object Identifier (DOI) prefix 10.26618. Chief Editor: Meisar Ashari, M.Pd
Program Studi Pendidikan Seni Rupa Fakultas Keguruan dan Ilmu Pendidikan Universitas Muham
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PROSES BERKARYA SENI KALIGRAFI ARAB DENGAN MENGGUNAKAN BAHAN CAT POSTER PADA PESERTA DIDIK KELAS X MAS UMINDA TANAKARAENG KABUPATEN GOWA
Penelitian ini bertujuan untuk mengetahui dan mendeskripsikan secara jelas tentang proses berkarya seni kaligrafi Arab peserta didik kelas X MAS Uminda Tanahkaraeng Kabupaten Gowa yang jelas, terperinci, dan terpercaya dan untuk mengetahui dan mendeskripsikan proses berkarya seni kaligrafi Arab, mengetahui tingkat kesulitan dan nilai estetika dalam proses berkarya seni kaligrafi Arab. Jenis penelitian ini adalah penelitian deskriptif kualitatif merupakan penelitian yang termasuk dalam jenis penelitian kualitatif. Tujuan dari penelitian ini adalah mengungkap fakta, keadaan, fenomena, variabel dan keadaan yang terjadi saat penelitian berjalan dan menyuguhkan apa adanya. Subjek dalam penelitian ini adalah peserta didik kelas X (MAS) Uminda Tanahkaraeng Kabupaten Gowa. sebanyak 25 dan sampel 25 orang tahun ajaran 2021/2022. Teknik pengumpulan data melalui teknik observasi (pengamatan), tes praktik dan dokumentasi (foto) dikumpulkan lalu diadakan kategorisasi data dengan merangkum data-data yang dianggap penting, kemudian disusun menjadi bagianbagian untuk diperiksa kebenarannya dan selanjutnya diadakan penafsiran data. Teknik analisis data dilakukan melalui teknik deskriptif kualitatif. Penelitian ini dapat memberikan gambaran yang jelas, benar, dan lengkap, tentang peserta didik kelas X (MAS) Uminda Tanahkaraeng Kabupaten Gowa dalam hal proses berkarya seni kaligrafi Arab pada peserta didik kelas X (MAS) Uminda Tanahkaraeng Kabupaten Gowa.
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PROSES PEMBELAJARAN SENI KRIYA LOGAM MELALUI MODEL PEMBELAJARAN STUDENT TEAM ACHIVEMEN DEVISION (STAD) PADA SISWA KELAS VIII A MTs. MUHAMMADIYAH LEMPANGANG KABUPATEN GOWA
Tujuan penelitian ini adalah secara umum untuk mengetahui dan mendeskripsikan proses pembelajaran seni kriya logam pada mata pelajaran seni budaya pada siswa Kelas VIII A MTs. Muhammadiyah Lempangang Kabupaten Gowa dalam membuat seni kriya logam dengan menggunakan teknik timbul.Penelitian ini merupakan strategi belajar mengajar yang bertujuan untuk menentukan semangat dan memotivasi belajar siswa dan mengembangkan kreativitas belajar siswa dalam berkarya seni kriya logam dan dapat mendorong siswa belajar secara sistematis. Penelitian ini dilakukan di MTs. Muhammadiyah Lempangang Kabupaten Gowa di Kelas VIII A dengan jumlah 1 Kelas, dengan siswa sebanyak 30 orang, sampel 30 orang. Menggunakan metode pengumpulan data dengan observasi, wawancara, dan dokumentasi. Dengan menggunakan teknik analisis data deskriptif kualitatif.Hasil ini menunjukkan bahwa proses pembelajaran kriya logam melalui model pembelajaran Student Team Achivemen Division (STAD) pada siswa Kelas VIII A MTs. Muhammadiyah Lempangang Kabupaten Gowa dalam membuat seni kriya logam sudah lumayan baik dari 30 orang yang terdiri dari lima kelompok dan tiga kelompok yang paling baik dari cara mendesainnya maupun sampai proses penyelesaian dan itu menunjukkan bahwa mereka sangat termotivasi dalam membuat seni kriya logam. Namun disisi lain masih ada sebagian dua kelompok yang belum terlalu berani dan tidak terlalu mengerti dalam proses pembuatan kriya logam dan siswa merasa kesulitan dalam proses pemindahan desain kertas A4 ke permukaan logam.
PROSES PEMBUATAN KAIN TRADISIONAL SEKOMANDI DESA BA- TUISI KECAMATAN KALUMPANG KABUPATEN MAMUJU SULAWESI BARAT
Proses Pembuatan Kain Tenun Tradisional Sekomandi Menggunakan Konsep Tradisional di Desa Batuisi Kecamatan Kalumpang Kabupaten Mamuju Sulawesi Barat. Skripsi, Prodi Pendidikan Seni Rupa, Fakultas Keguruan dan Ilmu Pendidikan, Universitas Muhammadiyah Makassar. Penelitian ini membahas ke- rajinan kain tenun tradisional Sekomandi di Desa Batuisi yang masih diwariskan secara turun-temurun dan telah dipasarkan hingga ke berbagai daerah. Tujuan penelitian ini adalah untuk mengetahui proses pembuatan kain tenun Sekomandi, meliputi pen- golahan bahan, pemintalan, pewarnaan benang, pembuatan dan pewarnaan motif, serta penenunan, serta pengembangan fungsi kain tenun Sekomandi. Data dikumpulkan me- lalui observasi, wawancara, dan dokumentasi, kemudian dianalisis secara kualitatif me- lalui tahap editing, kategorisasi, dan interpretasi
ANYAMAN TEDUHU (PAKIS HUTAN) PADA MASYARAKAT PESISIR DANAU MATANO DI DESA NUHA KABUPATEN LUWU TIMUR
Penelitian ini bertujuan untuk mengetahui: 1) Proses pembuatan anyaman teduhu Pada Masyarakat Pesisir Danau Matano di Desa Nuha Kabupaten Luwu Timur. 2) Karakteristik bentuk anyaman teduhu Pada Masyarakat Pesisir Danau Matano di Desa Nuha Kabupaten Luwu Timur. Jenis penelitian ini adalah kualitatif deskriptif. Pengambilan sampel sumber data dilakukan secara purposive dan snowbaall, teknik pengumpulan dengan trianggulasi (gabungan), analisis data bersifat induktif atau kualitatif. Dengan kriteria: 1) Masyarakat pesisir danau matano di Desa Nuha, 2) Orangtua atau orang yang sudah lanjut usia (Kaum Perempuan). Jumlah informan sebanyak 2 orang (perempuan) yang sudah lanjut usia dan 1 orang selaku kepala dusun Desa Nuha. Teknik pengumpulan data yang digunakan yaitu observasi, wawancara, dan dokumentasi. Data yang diperoleh dianalisis data dengan deskriptif kualitatif yaitu mereduksi data, menyajikan data dan penarikan kesimpulan. Berdasarkan hasil penelitian yang dilakukan di Di Desa Nuha Kecamatan Nuha Kabupaten Luwu Timur, menjelaskan bahwa: Proses pembuatan kerajinan anyaman teduhu disekitaran peisisr Danau Matano di Desa Nuha Kecamatan Nuha Kabupaten Luwu timur, nenek Rahia dan nenek Husni menjelaskan bahwa, dalam pembuatan anyaman terdiri 12 tahapan, yaitu: 1) Mempesiapkan alat dan bahan, 2) Pengambilan pakis hutan (teduhu), 3) Pemotongan pakis hutan (teduhu), 4) Pengupasan pakis hutan (teduhu), 5) Pengikisan dan meraut pakis hutan (teduhu), 6) Pengumpulan pakis hutan (teduhu), 7) Pengambilan rotan, 8) Mengeringkan rotan, 9) Pengikisan rotan, 10) Pembelahan rotan, 11) Proses menganyam: Pemasangan rotan, Pemasangan Pakis Hutan (teduhu), Pemasangan tali rapiah, Menganyam, 12) Hasil Anyaman Teduhu. Bentuk anyaman teduhu bermacammacam, seperti : 1) tas santai ( jinjing) yang memiliki banyak ragam bentuk yaitu ada yang berukuran besar ada juga berukuran kecil, tapi yang paling umum itu ukurannya 20 x 15 cm. 2) Keranjang juga cuman memiliki satu bentuk saja, ukurannya 25 x 20 cm. 3) Tempat pensil juga tidak memiliki banyak ragam bentuk, untuk ukuran besar sekitaran diameter 20 cm, tinggi 12 cm. 4) tempat tissue memiliki 2 bentuk yaitu bundar (oval) dan persegi panjang dan berukuran 22 x 12 cm. 5) Bossara hanya memiliki satu bentuk saja yaitu bentuknya bundar.
KERAJINAN TANGAN MINIATUR RUMAH ADAT WARGA BINAA LEMBAGA PEMASYARAKATAN (STUDI KASUS LEMBAGA PEMASYARAKATAN KELAS II B KABUPATEN ENREKANG)
Permasalahan utama penelitian ini yaitu bagaimanakah proses pembinaan pembuatan kerajinan tangan miniatur rumah adat yang dilakukan oleh lembaga pemasyarakatan kelas II B Kabupaten Enrekang terhadap warga binaannya, dan apa yang menjadi faktor pendukung dan penghambat dalam pembinaan pembuatan kerajinan tangan miniatur rumah adat di lembaga pemasyarakatan kelas II B Kabupaten Enrekang. Penelitian ini bertujuan untuk mendeskripsikan proses pembinaan pembuatan kerajinan tangan miniatur rumah adat. Metode yang digunakan dalam penelitian ini adalah deskriptif kualitatif, instrumen yang digunakan dalam pengumpulan data untuk mengetahui bagaimana proses pembuatan kerajinan tangan miniatur rumah adat adalah dengan teknik, observasi, wawancara dan dokumentasi. Berdasarkan hasil penelitian tersebut, proses pembinaan yang di lakukan di lembaga pemasyarakatan kelas II B Kabupaten Enrekang dilakukan dengan efektif dengan cara perencanaan kegiatan pembinaan, memberikan materi pembinaan, metode dan media pembelajaran dan pelaksanaan pembinaan warga binaan pemasyarakatan. Proses pembuatan kerajinan tangan miniatur rumah adat di lembaga pemasyarakatan kelas II B Kabupaten Enrekang di lakukan dengan beberapa tahap (1) proses penentuan desain (2) persiapan bahan dan alat (3) proses pembuatan miniatur rumah adat. Adapu yang menjadi faktor pendukung dalam proses pembinaan pembuatan kerajinan tangan miniatur rumah adat di Lembaga Pemasyarakatan Kelas II B Kabupaten Enrekang yaitu (1) bahan baku yang digunakan tidak sulit untuk diperoleh (2) alat yang digunakan masih sederhana (3) minat Masyarakat menjadi salah satu pendukung dalam pembuatan kerajinan. Sedangkan faktor penghambat dalam proses pembinaan pembuatan kerajinan tangan miniatur rumah adat di Lembaga Pemasyarakatan Kelas II B Kabupaten Enrekang yaitu (1) faktor permodalan (2) fasilitas dan tempat produksi yang belum memadai (3) masih kurangnya tenaga pembina pemasyarakatan yang ahli dalam bidang kerajinan.
HIPEREALITAS DALAM WEBSITE MERCEDES-BENZ THE NEW A CLASS
This study of the Mercedes-Benz The New A Class website is a case study carried out with the aim of finding out that the Mercedes-Benz The New A-Class website has elements of hyper-signs as part of hyperreality, as well as proving that the Mercedes-Benz The New website A-Class is a simulation, with post-structural sign/semiotic analysis and with Jean Baudrillard's simulation theory and hyperreality approach. Some conclusions obtained from this study are; firstly, the two VRs on the Mercedes-Benz A Class website here are a simulation process, and secondly the virtual reality in it is a duplication of itself, because the reality reference does not exist. Second, on the Mercedes-Benz A Class website, pseudo/original, fake/imitation, past/present, natural/artificial are mixed up and overlapping, so that they can no longer be differentiated. This shows that the Mercedes-Benz A Class website is a form of hyperreality.
ANALISIS ESTETIKA FOTO JURNALIS KARYA ABRIAWAN ABHE: STUDI KASUS FOTO PON XX PAPUA TAHUN 2021
This research aims to analyze the aesthetics of photojournalism works by Abriawan Abhe, with a case study on the photos of PON XX Papua in 2021. Using the method of visual content analysis, the photos were evaluated to identify aesthetic elements such as composition, lighting, color, contrast, and other photographic techniques. The findings reveal that Abriawan Abhe successfully creates aesthetically pleasing and captivating photojournalistic images with strong composition, appropriate lighting, thoughtful color choices, and diverse photographic techniques. In addition to providing information about the event, these photos also possess a strong artistic value, offering a deeper understanding of the aesthetics of photojournalism and contributing to the appreciation of aesthetic qualities in impactful and engaging photojournalistic works.
KREATIVITAS SENI MEMBATIK MENGGUNAKAN MOTIF BAWA PADA JURUSAN KRIYA KREATIF BATIK DAN TEKSTIL DI SMKN 3 KOTA BIMA
Indonesia is a nation rich in cultural and artistic treasures, consisting of several islands, tribes that are very famous around the world by having a diversity of culture and artistic creativity, namely traditional clothes and fabrics typical of their respective regions, one of which is batik. The type of research that will be used is a type of research that is qualitative descriptive "This research aims to find out the process of creativity of the art of batik using the motif of bringing in students of class XII of the Department of Textiles Smkn 3 Bima and knowing the quality of the results of the work. The results of research on student batik works are relatively very good, from their own motives using local motifs that can attract the attention of the local community, because onions are the largest income of milky milk farmers. And the discussion about the process of student creativity using bawa motifs combined with uma lengge motifs or bima traditional houses in one cloth with batik writing techniques. The conclusion that the process of working on the art of batik using the motive of carrying out is to carry out learning activities, where students are required to have creative ideas and follow the stages that support the success of the work. The advice is for a new generation of batik makers, presumably make batik works as a reference and have creative ideas, cultural insights and traditions in batik work.
Copyright (c) 2023 Titin Rahmawati, Roslyn Roslyn, Roslyn Roslyn
”DOLO-DOLO” SEBAGAI BENTUK MUSIK, TARI DAN SASTRA MASYARAKAT FLORES TIMUR (LAMAHOLOT), NTT
: Dolo-dolo as a Kind of Music, Dance and Literary Community in East Flores (Lamaholot), NTT. Dolo-dolo is a kind of folk art that consist of music, dance and literature that comes from the East Flores (Lamaholot), NTT. There are many other similar arts can be found in every province from NTT that has the same elements. The art like this usually have the shape of ritual and entertainment by the performance art. Dolo-dolo is a kind of art from NTT that packaged in one complete presentation which has third of the art elements in a show. Such as in the form of dance, which is not only the dance that contained in the serving, but rather the elements of music and literature also very important in it. Based on its history and its development, Dolo-dolo has value and functionality in the local area connection that does not even have separated from Western culture. This became the basis of a mix of acculturation and inculturation are very complete.
Maria Klara Amarilis Citra Sinta Dewi Tukan
Copyright (c) 2023 Maria Klara Amarilis Citra Sinta Dewi Tukan
PENGEMBANGAN DAN POLA PEMBINAAN INDUSTRI KREATIF ‘SONGKOK RECCA’ DESA PACCING KABUPATEN BONE
The main problem in this research is how the development and pattern of fostering the Songkok Recca creative industry in Paccing Village, Awangpone District, Bone Regency. This study aims to determine the development of the Songkok Recca creative industry in Paccing Village, Awangpone District, Bone Regency and to determine the patterns of fostering and regenerating the Songkok Recca creative industry in Paccing Village, Awangpone District, Bone Regency. The method used in this research is descriptive qualitative method. The subjects in this research were craftsmen who had decades of experience and Songkok Recca entrepreneurs who had also carried out their activities for many years. This research data was obtained through observation techniques, interviews and documentation which were used to obtain concrete data related to this research problem. The results of this research show the development and pattern of fostering the Songkok Recca creative industry in Paccing village, Awangpone District, Bone Regency. Songkok Recca has undergone various developments, including developing motifs, developing shapes and developing the materials used. Likewise, the development of marketing for Songkok Recca production It has spread to overseas countries such as Australia and Malaysia. For training patterns for craftsmen carried out in the form of divisions. There are those that are built specifically to make just the base part, there are those that are built specifically to make only the surrounding parts and there are also those that are built to make from the base to the end a Songkok Recca. Furthermore, for regeneration training, the craftsmen hold training and training within their respective families which is intended as the next generation of their creative industry efforts so that the Songkok Recca creative industry in Paccing village, Awangpone subdistrict, Bone Regency continues to develop and be sustainable.
ESTETIKA KARYA SENI ILUSTRASI DOODLE ART KOTA MAKASSAR
Art is a work or human action that has a point of beauty that makes the human heart moved. In other words, art is an element of culture which aims to fulfill the needs of humans or community groups for aesthetic values. Doodle Art is a work of art that uses a lot of imagination and truth in processing and setting images on a medium. The purpose of this analysis is to find out the aesthetics of Makassar City Doodle Art Illustration Art works. For this reason, the target of the analysis is directed at the Makassar Doodle Art community, namely the millennial community of young people in Makassar City. This type of research is interpretive qualitative research and uses Monroe Breadsley's aesthetic theory approach which emphasizes elements of unity, complexity and seriousness. The population in this research is the Makassar Doodle Art community, totaling 50 people and the research sample is the Makassar Doodle Art Community, totaling 10 people. The data analysis techniques used are literature, video and photo documentation from existing samples, namely the Makassar Doodle Art community, Makassa city. The conclusion that can be presented in this article is that apart from the aesthetic concept, it is also about the process of creating illustrations (doodles) in the Makassar DoodleArt community. The process of creating Doodles using simple, improvised equipment can produce good work that can be analyzed.
Copyright (c) 2023 Meisar Ashari, Nurwahidah Nurwahidah, Nurwahidah Nurwahidah
SOCIAL MEDIA ENGAGEMENT NGAYOGJAZZ SEBAGAI FESTIVAL MUSIK DI YOGYAKARTA
This study aims to find out 1). How social media engagement is present in Ngayogjazz as a music festival in Yogyakarta. 2). How Social media plays a role in portraying the Ngayogjazz festival. To achieve the objectives of the study, qualitative research methods were used with a virtual ethnographic approach from Christine Hine where Social media was chosen as the locus of research. Social media theory is used as a foundation in framing thoughts and discussions. Data collection techniques are carried out in two ways, namely observing Ngayogjazz's activities on Social media and conducting interviews to confirm some data found directly with several sources directly related to this event. In addition, existing literature and documentation data are also used as references in describing and analyzing Ngayogjazz events in Social media. The results of this study show that Social media that is present in Ngayogjazz as a music festival in Yogyakarta, using four platforms, namely Facebook, Twitter, Instagram and Youtube shows a binding interaction between Ngayogjazz as a festival and the community at large. Ngayogjazz utilizes Social media as one of the strategies in branding itself as a music festival whose presence is taken into account in the country, improvisation and musical interaction that characterize jazz.
Copyright (c) 2023 Andi Zulfikar Alam, Citra Aryandar, Citra Aryandar, Andi Taslim Saputra, Andi Taslim Saputra
FUNGSI TRADISI MA’BARU’TUNG DI DESA PAROMBEAN KECAMATAN CURIO KABUPATEN ENREKANG
This article discusses the diverse Ma'baru'tung tradition in Parombean Village, Curio District, Enrekang Regency. This research aims to identify the functions of the Ma'baru'tung tradition within the local community context. The study adopts a qualitative approach by collecting data through participatory observation and interviews with indigenous figures and local community members. The research findings indicate that the Ma'baru'tung tradition serves several essential functions within the community, including as a form of entertainment that enriches local cultural life, a means of communication to convey social and historical messages, and a ritual that connects people with nature and their ancestors. Additionally, tradition plays a role in strengthening social bonds and community integration, while also serving as an educational medium to impart traditional values. The study concludes that the Ma'baru'tung tradition plays a significant role in preserving the cultural and social identity of Parombean Village's community, making it imperative to preserve and promote it for the cultural heritage's sustainability in the future.
PENGGUNAAN MEDIA GAMBAR UNTUK MENINGKATKAN MOTIVASI BELAJAR SISWA KELAS IV DI SD INPRES PERUMNAS 2 KOTA KUPANG TAHUN AJARAN 2016/2017
This study was conducted to find out the use of image media at the learning orientation stage is very helpful to the effectiveness of the learning process and delivery of the contents of the lesson at that time, the image media can channel the message from the source to the recipient (student). Once cultivated the interest of students to learn actively in the classroom as well as improve student achievement. This research is inseparable from the theoretical basis, and also to obtain data by using observation, documentation and test techniques. The purpose of the purpose in this study is to determine the use of image media in improving the motivation of learning in fourth graders Elementary School Inpres Perumnas 2 Kota Kupang academic year 2016/2017. So the results of research and discussion can be concluded the use of good and interesting learning media can improve student learning motivation. And after application of learning pattern using image media on PAK subject, hence increasing class average this can be seen from prasiklus which is only 41,07% become 68,21% in cycle I and become 83,21% in cycle II. Media images are the most effective learning media used in the learning process because it can improve students' learning motivation through the images presented with interesting and easy to understand by the students.
Copyright (c) 2023 HARMONI : JURNAL PENDIDIKAN SENI RUPA
INDIEGEURILLAS MENAMPILKAN CITA RASA KEARIFAN LOKAL DALAM ART|JOG|8
Ditengah pelaku seni rupa Indonesia yang notabene merupakan seniman dari yang terbentuk dari pendidikan disiplin ilmu Seni Murni, terdapat keunikan dan bisa dikatakan suatu gebrakan baru dalam dunia desain. Indonesia memiliki seniman muda berlatar belakang pendidikan Desain Interior dan Desain Komunikasi Visual dari Institut Seni Indonesia Yogyakarta yakni Indiegeurillas. Meskipun Indiegeurillas berlatar belakang pendidikan Desain, mereka eksis sebagai seniman dan mampu melahirkan karya-karya yang memiliki cita rasa estetika yang tinggi dan mampu memberikan pengaruh postitif kepada penikmat seni dan masyarakat. Anggota Indieguerillas lahir dan besar di pantai utara Jawa Tengah yang berkolaborasi sejak 1999, dan kini berdomisili di Yogyakarta. Hal ini membuat Indieguerillas selalu membuat karya yang sarat dengan kebudayaan Jawa, antara lain falsafah hidup orang Jawa, wayang, pasar tradisional, permainan tradisional, arsitektur khas Jawa, mata pencaharian orang Jawa, produk-produk khas Jawa, peribadatan orang Jawa, dan kondisi alam di Jawa. Indieguerillas juga terinspirasi oleh ikon-ikon populer dari komik, street art, video game yang dielaborasi baik melalui gambar, lukisan, patung, mural, animasi, atau instalasi. Selain hal tersebut, budaya urban juga menjadi inspirasi Indieguerillas dalam berkarya. Penguasaan berbagai medium serta kolaborasi teknik analog dan digital pun sangat terlihat dalam karya-karya Indieguerillas.
PELAKSANAAN DAN FUNGSI PERTUNJUKAN SERE API PESTA PANEN DI DESA BU LO-BULO KECAMATAN PUJANANTING KABUPATEN BARRU
Pertunjukan Sere Api Pada Pesta Panen di Desa Bulo-Bulo Kecamatan Pujananting Kabupaten Barru Sulawesi Selatan. Keberadaan Sere Api sudah ada sejak tahun 1920 tepatnya di desa Gattareng. Sere Api berkembang dan muncul pertama kali di desa Gattareng. Penelitian ini bertujuan untuk mengetahui pelaksanaan pertunjukan Sere Api pada pesta panen serta bagaimana fungsi pertunjukan Sere Api pada pesta panen. Penelitian ini menggunakan metode kualitatif partisipasi. Data diperoleh melalui metode penelitian observasi, wawancara dan dokumentasi. Analisis yang digunakan dalam penelitian ini yaitu analisis deskriptif. Hasil penelitian dapat disimpulkan, bahwa Pertunjukan Sere Api di Desa Bulo-Bulo Kecamatan Pujananting Kabupaten Barru lahir dari orang Tobalo yang kebal dengan api dan menjadi sebuah ritual tahunan ketika panen tiba. Sere Api menjadi beberapa fungsi, diantaranya, sebagai upacar ritual, hiburan, dan tontonan. Sere Api berkembang dan muncul pertama kali di Desa Gattareng. Salah satu pelaku pertama Sere Api yaitu Bapak. Kasim yang tinggal di Dusun Lempang Desa Gattareng. Kini Sere Api masih sangat akrab dengan masyarakat khususnya di kabupaten tiap kali mengadakan syukuran pesta panen.
IMPLEMENTASI METODE PEMBELAJARAN EFEKTIF PADA PIANO PRIVAT
The purpose of this study is to find out the right method in learning private piano for students who have problems in playing some songs that have not been smooth, by repetition. In piano learning, generally students (people who learn piano) use a finger drill, which is to repeat parts that have not been mastered by students. This is often used and successful in piano learning. But it was different from one student who the writer met as the subject of this research (initial E) who could not use the finger drill method. The results of the study show that hard work, strong will, and effective training must be carried out by piano students if he wants to acquire good skills and achievements in playing the piano.
TRADISI MOOI INDIE DALAM IMAJI FOTOGRAFI KARTU POS INDONESIA
The visualization of postcards with mountain as the photo objects, rice fields framed in a natural scene becomes a very interesting thing to be observed. The objects, that usually become the favorite of a painting with indie Mooi style, are then adapted by photographer in a postcard sheet. Seeing the phenomenon, the author questioned why photographers still maintain the images that have been explored by the art of painting, to be re-production into the work of photography. It is interesting to examine, especially from the visual aspect with descriptive interpretive approach, by making an interpretation of what is seen, heard and understood, so it is expected to create diverse views on an existing problem. This study resulted a conclusion that, in terms of the needs of art lovers, the need for imaging Mooi indie when it is viewed from the perspective of tourists or foreign tourists, it is still very high. Travelers or foreign tourists need evidence that their journey to Indonesia - a tropical country with abundant light - is real. Photos in this case are powerful entities in the role of proof of existence. As a young artist from the heirs of culture and eastern artworks that have a high history and aesthetics in the context of tradition, Mooi Indie should begin to be abandoned and photo artists embark on an odyssey that puts forward newness or local wisdom in the work.
KAJIAN IKONOGRAFI MOTIF MEGA MENDUNG CIREBON
This research analyzes the "Mega Mendung Motif of Cirebon". Using art history as the basis for the approach, the main theory used is Erwin Panofsky's theory of iconography and iconology. The results of this research contain a pre-iconographic description which explains at an early stage the aspect of the textual idea, namely based on an analysis of the visual elements in the mega mendung motif including an objectively precise style, apart from that it is also reviewed from the mega mendung motif using a stylization style, namely by changing the shape. The original form of a source becomes a new form that is decorative but the special characteristics of the source are not completely lost. Iconographic analysis explains themes and concepts. The themes and concepts expressed in the Mega Mendung motif were ideas adopted from Chinese ceramics or knick-knacks brought by Ong Tien's daughter, knick-knacks brought from China and then combined with typical Cirebon culture, resulting in a combination of Cirebon-Chinese culture. From this cultural influence, the mega mendung motif has distinctive characteristics and a very deep meaning as a result of social and community interactions. Abstrak Penelitian ini menganalisis “Motif Mega Mendung Cirebon” Dengan menggunakan sejarah seni sebagai dasar pendekatan, selanjutnya pilihan teori utama yang dipakai adalah teori ikonografi dan ikonologi Erwin Panofsky. Hasil penelitian ini berisi, deskripsi pra ikonografi yang menerangkan pada tahap awal aspek ide tekstual, yaitu berdasarkan anilsis unsur-unsur visual pada motif mega mendung ini termasuk dengan gaya ketepatan objektif, selain itu juga ditinjau dari motifnya mega mendung menggunakan gaya stilisasi yaitu dengan merubah bentuk asli dari suatau sumber menjadi bentuk yang baru yang bersifat dekoratif tetapi dari ciri khusus dari sumber tersebut tidak hilang sepenuhnya. Analisis ikonografi menjelaskan tentang tema dan konsep. Tema dan konsep yang terungkap dalam motif mega mendung ini mendapat ide yang diadopsi dari keramik-keramik Cina atau pernak pernik yang dibawa oleh putri Ong Tien, pernak pernik yang dibawa dari cina kemudian dikombinasikan dengan kebudayaan khas Cirebon, sehingga menghasilkan perpaduan kebudayaan Cirebon-Cina. Dari pengaruh budaya tersebut motif mega mendung memiliki ciri khas dan makna yang sangat mendalam sebagai hasil dari interaksi sosial dan masyarakat.
LIMBAH ANORGANIK SEBAGAI IDE PENCIPTAAN SENI KRIYA SMA WAHYU MAKASSAR
This research utilizes inorganic waste, namely used plastic that is no longer used, it is hoped that in the future the art of craft from anorgnaik waste can reduce the amount of waste that is an obstacle at this time. The purpose of this study was to determine the planning, implementation and results of making decorative lamps from inorganic waste in Class X Students of SMA Wahyu Makassar. Collection techniques through observation, interviews and documentation. The results of the study provide results where Class X students of SMA Wahyu Makassar are able to know the materials and tools to be used and are able to work on decorative lamps in accordance with the design design that has been designed. The results of the decorative lamps produced are very good and have high artistic value so that they can be used as displays at home or anywhere. The results of interviews with both teachers and students provide answers that the art craft learning process starts from good planning and students can work on artwork well and enthusiastically.
KAJIAN SOSIOLOGI SENI MASJID AL-IRSYAD PARAHYANGAN BANDUNG
Bandung Al-Irsyad mosque is a mosque with a unique form of architecture resembles the Ka’bah. Designed by Ridwan Kamil, this building become famous building in the world. A prestigious award as the five major building of the year 2010 by the National Frame building Association, this mosque become one of the Bandung mainstay tourist destination. This research focus is to dismantle the art contruction suport in the journey of Bandung Al-Irsyad mosque into a high art. To understand the social precesses of this mosque, using the approach in his sociology by Zolberg “Construsting a Sociology of the Art” which suggests that the phenomenon of art is influenced by a social process, the artist, and structural support. This research resulted in the conclution that the creation of a great work of art that could not be separated from the contruction of the rule of art. The artist and the community support for the arts is very important in the development of art work. So that is becomes a high art work. Bandung Al-Irsyad mosque designed by a integrated professional artist with his prestigious awards has received makes this mosque into a very high artist value. Simple and futuristic design is a represent of urban culture. Make it more acceptable to the public.
ASPEK HUKUM DALAM PENGELOLAAN PRODUKSI MEDIA TELEVISI DAN FILM
Film and television works in the form of audio-visual media are the youngest fields of art compared to other branches of art. As with other sectors, in Indonesia itself regulations for art are also governed by rules and laws (laws), both in terms of production, distribution and consumption. Not to limit creativity, but these rules are enforced to protect consumers (art connoisseurs) and the artists themselves from misuse of works of art such as elements of pornography, copyright abuse and so on. This paper is a descriptive analysis supported by literature on television and film available in libraries and online media.
KONSERVASI ISLAM SEBAGAI ASAS BERKARYA PRODI PENDIDIKAN SENI RUPA UNISMUH
This research aims to explain the implementation of Islamic values as educational principles in creating fine arts in the Fine Arts Education study program, Faculty of Teacher Training and Education, Muhammadiyah University of Makassar. The type of research used is qualitative-explanatory research, which provides an explanation of why the fine arts education study program uses Islamic values as an educational and teaching concept. Furthermore, the results of this research show that the only fine arts education study program within the scope of Muhammadiyah Higher Education in Indonesia is at Muhammadiyah University of Makassar. So that artistic practice in producing works of fine art is based on Islamic Kemuhammadiyahan values. The concept of application in education and teaching is demonstrated through the curriculum, art creation and study studies, research and community service as well as the achievement of graduate profiles. In the aspect of creating fine arts, the orientation of the work always uses ethics, content and context based on Islamic Muhammadiyah
KOMPARASI ESTETIK SENI GRAFFITI KARYA ALIASTIGA
This study aims to analyze aesthetic comparisons of graffiti art by Aliastiga from 2006-2022 in Makassar City. The analytical method used in this study is a qualitative descriptive analysis method, supported by the theory of Form Aesthetics from Dr. A.A.M Djelantik and the theory of Functional Aesthetics from Edmund Burke Feldman as a reference for analysis. The results of this study show that the graffiti artwork created by Aliastiga initially originated from an interest in art in the form of a character and writing. The work produced by Aliastiga from early 2006 has shown that artists are very talented and have good skills. Although in reviewing the weight of his work, Aliastiga does not have ideas and messages in his work, Aliastiga emphasizes artistic visuals in his work. Aliastiga graffiti art is not just a hobby, but in it becomes an artistic movement that tends to fight acts of vandalism.
ROMBONGAN SANDIAWARA PETTA PUANG (RSPP) DALAM PERTEATERAN DI SULAWESI SELATAN DENGAN KONSEP LOKAL
Penelitian ini menggunakan metode deskriptif kualitatif, bertujuan untuk memperoleh data dan informasi yang akurat tentang Eksistensi Rombongan Sandiawara Petta Puang (RSPP) dalam perteateran di Sulawesi Selatan dengan Konsep Lokal. Dari hasil penelitian ini, dapat disimpulkan bahwa: Eksistensi RSPP dalam perteateran di Sulawesi Selatan dengan konsep lokal dimulai sejak grup ini berubah nama menjadi RSSP tahun 1992. Mereka dikenal karena bentuk pertunjukannya menggunakan konsep local budaya Bugis-Makassar selain itu telah memantapkan dirinya sebagai kelompok teater yang bukan hanya memimikrkan dirinya sendiri, tapi juga telah memikirkan lingkungan di luar dirinya, atau masyarakat.Konsep lokal yang diterapkan RSPP mengandung mengandung nilai-nilai budaya lokal Bugis-Makassar seperti nilai-nilai kejujuran (lempu'), kecendekiaan (nawanawa), kepatutan (asitinajang), keteguhan (getteng), usaha keras (reso), dan harga diri (siri’). Tapi simbol-simbol di dunia realitas itu dapat terwujud di atas panggung, seperti pertunjukan RSPP.
IKLAN INDOMIE (DARI SABANG SAMPAI MARAUKE) SEBAGAI REPRESENTASI KEBUDAYAAN INDONESIA
Indomie Advertisement (Dari Sabang Sampai Marauke) as Indonesian Culture Representation. Advertisement is a mass culture product which shaping behaviour and life pattern of human. Music become advertising power to deliver information about the product offerd. Indomie advertisiment which the theme was Dari Sabang Sampai Merauke had culture dimension of Indonesia through the image of ‘the singing society’ which can be seen as visually and musically. This discussion was an effort of studying musical elements from the advertisement through critical analysis for showing how Indomie advertisement which represent Indonesian culture can dwells within society.
ARTISTS ON INSTAGRAM: KAJIAN BUDAYA POPULAR LIFESTYLE TERHADAP FENOMENA EMBARGO MANDIRI SENIMAN URBAN MELALUI MEDIA SOSIAL INSTAGRAM
Kebutuhan untuk memiliki makna dalam masyarakat di era informatika ini adalah terbitnya keinginan untuk diakui dalam media virtual. Semakin diakui dalam dunia virtual terlepas dari apa yang nyata dalam dunia sadar manusia dianggap semakin populer dan menjadi pusat sorotan. Seniman dapat menciptakan pergerakan mereka sendiri dalam kancah embargo mandiri. Tanpa biaya dan tanpa ramah tamah dalam galeri, setiap seniman otodidak maupun profesional dapat memiliki pengakuan dan penggemar sendiri-sendiri. Hal ini merobohkan konsep batas antara proletar dan borjuis, otodidak dan akademis, setiap seniman mampu memiliki kesempatan untuk eksis dan populer dengan keunikan media yang mereka usung sendiri-sendiri.
APRESIASI SENI LUKIS TERHADAP PERKEMBANGAN ANAK BERKEBUTUHAN KHUSUS
Fine art in Indonesia is growing quite well with Indonesian art to retain the title. In this development, the art does not look different every existing disciplines because it does not need the attitude of specialists to produce a masterpiece. With creativity honed, an art can be born without the need for attachment. The artists are free to express, sometimes tend to look to play around with experiments to produce a high-value art. Fourth view student of Institut Seni Indonesia Yogyakarta, that pure art in addition to the expression language can also provide real benefits to society, such as for example on their activities in SLB Yogyakarta, they not only appreciate about the world of children with special needs, but through their art able to give happiness, benefit personally as performers who falls spaciousness directly, that art is not pegged on acknowlege looking acknowlege collectors and art world, but art can appreciate significantly, the purpose and benefits of the artist to appreciate a problem through the arts.
STRATEGI PENGEMBANGAN USAHA PENYEWAAN SOUND SYSTEM PADA PLAY SOUND YOGYAKARTA
This research discusses the strategy of developing a sound system rental company by doing case study on Play Sound Yogyakarta. The strategy in question is the creation of a unique and valuable way, involving a different mindset of an activity. The research methodology used is a quantitative methodology based on SWOT analysis and IE matrix. The results of the analysis show that the variables that become the strength is the most complete equipment show, rent the small and large scale sound, the best service, cooperative relationship with many parties. The disadvantages are limited experts, non-permanent employees, expensive maintenance fees, not well-known brand image. Opportunities are many events need sound, a priority for national events, the existence of marketing through social media. The threat is the emergence of new competitors, the number of competitors make the price below standard. Factor analysis of IE shows in the position of cell IV that grow and build (growth and build). Suitable strategies are intensive (market penetration, market development and product development) or integration (backward integration, forward integration and horizontal integration).
METAFORA BUDAYA URBAN DI BALI SEBAGAI IDE PENCIPTAAN SENI LUKIS
Penelitian ini bertujuan untuk mengetahui tentang, (1) bagaimana budaya urban yang ada di Bali, (2) bagaimana ide penciptaan yang memberi pesan penyadaran terhadap masyarakat bali pada khususnya untuk mempertimbangkan perubahan budaya melalui media visual karya seni lukis, (3) bagaimana proses perwujudan karyanya. Metode yang digunakan yakni dengan teknik pengumpulan data dan teknik pengungkapan dengan teknik aquarel dan drawing yang menggunakan kecendrungan corak abstrak dikombinasikan dengan gaya realistik di media kanvas. Hasil penelitian ini adalah karya seni lukis dengan tema “Metafora urban di Bali” yang memvisualkan berbagai peristiwa urban yang terjadi di Bali dalam bentuk dua dimensi dengan kombinasi kecendrungan gaya realistik dan abstrak yang ditambah lagi dengan teknik aquarel sehingga dapat memberi kesan dan efek lukisan di media kanvas pada umumnya.